Walking about it’s clear even though I don’t think it’s spring yet the plants do. Cherry blossom is out, many of the streets in the city are bursting with the profound pink that Cherry blossom throws forth. Also the Magnolia in the area are starting to blossom. Magnolia fascinates me because it seems that depending…
I would say that 50% of the time I wanted to take a landscape shot in NZ on my recent trip to the South Island, I wished I’d had a 35mm lens to shoot the scene rather than the 50mm or the 14 – 24mm lenses I had with me at the time. Not because they weren’t great lenses, simply because I felt that the 35mm was a better choice for what I was trying to capture. I made do, and I did come back with some fantastic shots. But I decided that such thoughts had shown me a gap in my lens range that needed to be addressed.
Hence yesterday I took delivery of a Nikkor 35mm F2 AF D. There is a G version of the lens, but it’s considerably more bulky for the slight increase in sharpness and image quality. Not enough in my opinion to warrant the extra expense when size and weight is a far more critical element to me for this choice. Yes it’s an older lens design, but still relevant and reviews very well. Simplicity is often the best answer. There are just some lenses that don’t really need that much improvement, and sometimes that improvement comes at a cost that discounts some or all of the benefits of the previous design.
Like my Nikkor 50mm F1.4 AF D I need something that is easy to slip in the pocket, doesn’t take up much room, and prefer it to use the same size filters (52mm) as the 50mm F1.4 or the 50mm 1.8 lenses.
I’ve yet to give it a good test yet, but hopefully over the next couple of evenings I’ll take it for a walk and try it out. Otherwise I guess it will be getting tested on the weekend.
I have been back a week now, and starting to get some of the stock organised from the New Zealand (South Island) Junket. I had a fantastic time, and managed to improve my skill set immensely as well as come back with some beautiful memories and shots. I’d really love to get back there soon, and possibly move there in the future. It seems to be one of the last paradises left.
I was somewhat disappointed from the wildlife point of view, but I guess that’s because I aimed to see so much that I didn’t allow myself the luxury of the time necessary to just sit and wait for the local fauna to begin to ignore me and get on with normal activities. Somehow I lost sight of that in the euphoria of making the trip happen. Still, I met some great people, managed to generate a bit of free publicity for my business internationally, hopefully it’s generating further interest when each of those I chatted to gets home themselves. Best of all I enjoyed a magnificent country with a population working quite hard to live in an environmentally sustainable manner, with an environmental, economic and social focus. Fantastic to see in action.
Overall, I’d say there was not much I could have done to improve this trip being my first overseas working photography trip. As I said, unintentionally I think I prioritised scenery and flora over wildlife, but then on reflection I’m not sure in this instance I could have done it any other way now. I would need to have that focus purely for the trip I think as so much of the wildlife is birds, which requires quite a bit of waiting at times.
One of the other glaring gaps in my planning for the trip was the lack of a 35mm Lens. I can see that because I wasn’t originally planning to be doing so much landscape when I was organising the trip originally. Certainly I was planning on seeing the landscape, but hadn’t consciously realised I’d be shooting that above everything else. Still lessons learned, and still plenty of stock. And certainly I could do with more landscape stock. Still on landscape, I was very happy with my filter work (see featured shot above). I believe I’ve improved that significantly on the trip, and also found that I can achieve similar results with my AF-S NIKKOR 14-24MM F/2.8G ED (1.7X) without a filter with a bit of patience. Great considering a special adapter is required to use filters on such a lens. And it gives me great results such as this one below.
Although both the images in this post required a tripod, I did do far more handheld over the course of the trip, and also felt that my ability to shoot handheld in difficult circumstances improved significantly as too did my ingenuity for when I didn’t have a tripod but needed some extra stability.
Driving along the Road between Westport & Murchison (South Island of NZ), I was compelled to pull over by the wonderful mist that was beginning to hang in the River Valley beside which wound the road. After enjoying an warm cup of soup & crackers while shooting the initial stop by the river, I drove but a little further and once again was stopped by this opportunity.
I couldn’t help but think of the Barrow Downs out of the first book of the Lord of the Rings.
Well I’m in my last Seven Days here in New Zealand, and feeling like I’m running to of time. I’ve actually managed to achieve the bulk of what was on my list to get done while I was over here this time, but I have missed some of the Optionals, and one of my Non-Optionals. Stewart Island will have to wait for another time I’m afraid. Weather wasn’t that good for the day that I was going to try and do it, so I decided the money could be spent elsewhere this time.
Until I get back, the featured aperitif
I took the opportunity of the first decent storm in months to get out and take a few shots of lightning. It’s my first attempt at getting out and shooting in a storm, in particular chasing the Lightning Shots. Also given it was midnight, things were a bit smash and grab as far as gear and location. I grabbed the D600 with the 50mm F1.4 & the Nikon 14-24mm F2.8. I also grabbed a hand release and my MIOPS Trigger hoping I might get a chance to use it for the first time with Lightning too.
So off I drove to the closest vantage point I thought was high but with plenty of other choices for Lightning to strike other than myself! As it turns out, where I parked on the side of the road happened to be unfortunate orientation: over the course of the storm most of the lightning was to the sides of me. However I managed to get 1 out of the 30 shots that worked for me. But to be fair it was my first attempt at this subject matter.
I thought I was stuck not being able to use my MIOPS as I thought I’d not bought the extra cable for the connection for the D600 (it’s different than the D810). As it turned out later when I got back home I realised that the remote release I had been using had a detachable cord with the right connection! Anyway, lesson learned for next time: spend more time with some gear in relaxed conditions. Still shooting in Bulb mode, with the remote release I felt I started to have a good feel for the right way to shoot it near the end of 30 odd shots. I’m looking forward to the next Storm when I will be more prepared.
Very close to home the last couple of weeks, but did have a chance to experiment with the Nikkor 50mm F1.4 D quite a bit. It’s a wonderful little lens and still does remarkably well on the D810. It’s sharper than the Nikkor 50mm F1.8 D but I wouldn’t say hugely so considering the few hundred dollars difference in price. Value for money, the Nikkor 50mm F1.8 D at just over a $100 (AU) is probably hands down winner of all the Nikkor lenses. It’s a great little lens that will go in your pocket easily and takes great shots. It’s just a simple thing made well. It’s not perfect, but for the price it’s unjustified to complain. If you have the budget the 1.4 gives you better shots, but those hundreds extra could go towards something else if you have the Nikkor 50mm F1.8 D. that said, Mina (featured image) was shot with the Nikkor 50mm F1.4 D. But one of my favourite shots of Tigga was with the Nikkor 50mm F1.8 D as was the little tweeter underneath. Also the self portrait I use for my business cards was shot with the Nikkor 50mm F1.8 D. It’s easy to see why the 50mm prime receives such reverence.
While visiting Andrew the other weekend I happened to be graced with Mina modelling herself on the kitchen table when I arrived. I was allowed a few shots before she decided that she’d done enough work, and wandered off to sleep on the window sill. Along with practising with the Nikkor 50mm F1.4 D I’ve begun to experiment with Lens Filters. I’m really appreciating the benefits such accessories bring to my photography. Of course these aren’t the only experiments going on at the moment, but more on that in a later post.
I’ve been putting together some plans for the next few trips to do some shooting.
Located on the far east “point” of Victoria, it’s about as far on road as you can go in this State. This seems like to be comprised of two components: a short 4 day trip to scout about and the second part a week long trip staying on a hired Houseboat with a friend. There are apparently plenty of jetties to tie up to at different points about the river & inlet.
It doesn’t matter where in the Grampians you go, there’s nothing but awesome scenery to shoot, along with beautiful wildflowers and in particular Orchids.
Located in the south of Victoria, there is some absolutely amazing Forest & Wildlife to be seen. In particular I’m looking forward to walking out to Sabine Waterfall. It’s an hour’s walk from the road, but approximately 130 metres high, so should be a treat! Apparently there’s a Black Carnivorous Snail that’s rare, apparently endangered, but a real treat if you get to shoot one.
Apparently this is a area abounding with great scenery & walks for all skill levels. Walks go from the easy right through to tough!
So further on this 365 Day plan. Having thought about it a bit more, I’ve decided that the Goal should be to spend no more than an hour on the shot each day. That doesn’t include any post production afterwards. Normally that is 5 to 10 minutes maximum. However on Friday (which is the day of the work week scheduled for work on Shards of Arcadia business I will then spruce up the previous week’s collection of shots and post up on Alamy.
This is both an exercise in skill development as well as discipline. I hope, as time goes on that this practice will develop my ability to pull up stock art shots quickly and provide a quality shot in a minimum amount of time in comparison to my more “art focussed” work. Additionally during that period where I’m working on the stock in the Post Production Session, after uploading I shall spend a bit of time researching forums & blogs for what seems to be in demand (or lacking) at the moment. If I can develop some work around those themes, it’s likely something will be in a better position to sell.
Additionally I’m starting another exercise, building a collection of oddities that will serve as inspiration for shots when I’m struggling for an idea. So as I find interesting things that I think that could make an interesting shot, if it’s small enough it will go in the “Rainy Day Shot Box” for inspiration. If it’s too big to go in the box obviously I need to make a note about it in my “Inspiration Journal”. So if I don’t have a project on, or it’s not feasible to be working on one of the Projects, I can reach into either the “RD Shot Box” or the “IJ” for something to work on. Not sure my life can afford many more wasted moments.
I’ve decided that as of next week, starting Monday the 16th November, I’m going to initiate a 365 day plan. It will involve taking a stock art photo every day and putting it up on my Alamy site. The purpose obviously is to get that stock up on that site to start complementing my Shards of Arcadia site. If I follow this plan, that will mean I’ll have close to 400 stock photos up on Alamy within a year. Giving me a much better chance of generating income there.